Secondary definition 

I say always and
You say That’s sweet
I say always and
You sigh happily
I say always and
You smile and duck your eyes
I say always and
You say I love you
I say always and
You say not ready
I say always and
You say not now
I say always and
You say goodbye
I say always and
There is only silence
I say always

Always wasn’t a promise
Always wasn’t an endearment
Always wasn’t romance

It was a warning
A cry
A bell chiming

It was the deep silence in the winter dawn
It was the quiet hush of a summer afternoon
It was the deep and abiding melancholy of 2am

It was a plea
Of understanding
That some people
Never forget
That there is nothing so fundamentaly luxurious
As the fading light of memory

And here I stand

Dealing with open wounds

Time heals nothing. It’s our fading memories that give rise to this statement. We forget. The closest I get to forgetting is compartmentalizing those experiences into a specific mindstate. I might even code the mindstate to a locale. I sometimes wish my mind allowed me to forget completely. But then I’ll recall a conversation or a smile or dancing with Morgan. I’ll recall a kiss or a touch. And as much as these memories are melancholic, I would not trade them for the temporary comfort of forgetting. Of losing them.

Open doors

The flesh is a mere gateway. A doorway to pleasure. A medium by which worship and devotion are made tangible. A lash of the whip binds the mind to the flesh, that lance of pain bled exctasy binds mind to mind. A moment forever frozen in memory. The tracing of a scar line evoking love and care, devotion and pleasure. All from a simple mark of flesh. Flesh is a mere gateway, but a gateway to the mind, eternal.

Wind blown snow

She echos in my place of sanctuary
Looking out the window or curled on the couch
But for this ghost, the wind blown snow serves as isolation
The elemental howling, screaming through the creaking trees
Amidst the snap and pop of the hearthfire
Sitting on the couch reading aloud
Remembering you cuddled against me
Listening with rapt attention


Memory for me is immediate and real. I don’t see things through a haze. Or misremember and take this as fact. I remember in scenes.

I remember body positions. The way someone moves. The emotional context of their words and the impact of the phrasing, but not the exact words themselves.

These memories are stones in an ice river. Ever flowing downstream, but upstream, these moments of frozen time, playing out a silent film, again and again. It is a very personal and comforting type of memory. I hold these moments in my heart forever.

I dance in joy, breathe the night air, answer a question as I dance blindly(glasses off) at a club, marvel at the moon, talk with women, talk with men, sex, and the prelude to sex, brush the hair from eyes, shake my hair out, drink a mojito, flirt with a waiter, hear a horrible truth, the weight of a secret lifting. Thousands of moments, minutes, people and actions.

All culminating into life, my life. And yet, somehow empty. Empty without you.

Rambling thoughts

There is a surprising degree of romantic thought that goes into Bdsm play. As master, I construct the scene. I create the space, the framework that my submissive can step into. We’ll have had the Negotiation well ahead of time. I prefer a date somewhere public to have that discussion. It allows me to gauge the degree of exhibitionist they are, allows me to see how comfortable with the lifestyle and degree of interest in the various acts. For many, the public setting puts them off balance and allows space for honesty. That’s just the initial meeting, I use text and fantasy scenarios to see what space they want to explore. Pleasure is all well and good, but discovery of something new or a variation is often better.

I say romantic because the scenario preplay is idealized and postplay it’s often misremembered through the haze, (if it was good). I, unfortunately, can’t do that. Forget enough to fill in pieces, I mean. I have a specific type of sense memory. I remember people I have been romantically entangled with. I remember each touch, and a few minutes after touch with crystalline clarity. It is a curse.


She’s smiling and I’m laughing
She’s sleeping and I’m watching
She’s incandescent and I’m night

It’s all in my rear view
And I can’t fight the fight

Each day that passes and I’m further away from you
I’m losing those moments, those minutes, those days.
Each time I wake, I walk farther away
Each time I sleep, I remember.

It wasn’t the loss that I could not endure
It’s this litany of days and hours without you

She’s dancing and I’m clapping
She’s yelling and I’m screaming
She’s cold and I’m colder

It’s all in my rear view
And I’m another year older

Each day that passes and I’m further away from you
I’m losing those moments, those minutes, those days
Each time I wake, I walk farther away
Each time I sleep, I remember

It wasn’t the loss that I could not endure
It’s this litany of day and hours without you

She’s going and I’m watching
She’s bleeding and I’m not there
She’s dying and I’m at fault.

It’s always here with me